List of films and other time-based works. Works available to be seen online have clickable titles.

A play in black & white (for baba) (2022) 17.5 minutes, Super 8 to video, b/w
Alas, Departing (2022) 7.5 minutes, Super 8 to video, color & b/w, music by Sarah Davachi.
En Bas Tu Vois (2022) 13 minutes, Super 8 to video, color & b/w, music by Sarah Davachi.
For Liz Harris (2022) 70 minutes, Super 8 & video to HD, color & b/w, silent.
Sunlight crying (2022) 7.5 minutes, Super 8 to video, color & b/w, music by Raum.
Mirror Piece (2021) 18 minutes, video, color, sound; with Taylor Doran, Tatiana Luboviski-Acosta, and Yvonne Tam.
Tashi Wada (2021) 40 minutes, video, color, sound.
Ode to the blue (2021) 3 minutes, Super 8, b/w, music by Grouper.
six pages from a diary (2021) 13.5 minutes, Super 8, b/w & color, sound.
Raz-de-marée (2020) 8.5 minutes, Super 8, b/w, music by Chuck Johnson.
Midlands (2020) 10 minutes, Super 8, color, music by Sarah Davachi.
Stations II (2020) 6 minutes, Super 8, color & b/w, music by Sarah Davachi.
Ephemeris (2020) 1 minute, Super 8, color & b/w, sound by Tashi Wada and Julia Holter, excerpt of Steam (Part 1) from Attica Blues (1972) by Archie Shepp.
Red Carpet in C (2020) 11.5 minutes, 16mm, color, sound (music: Lines Transpire and Blur by Erika Bell and Untitled Second Meeting, an improvised performance, by Susie Kozawa and Angela Francis Wilson)
Strummed Strings (2020, released 2021) 10.5 minutes, Super 8, b/w, music by Ashley Bellouin & Ben Bracken.
For Paul (2020) variable duration, 35mm slides, cyan, audience participation.
Into the Wind (2019) 7 minutes, 16mm, b/w, music by Saariselka.
A note on the ruins for visitors (2019) 6 minutes, Super 8, b/w, silent.
untitled (2018) 30 minutes, 16mm and 35mm slides, color & b/w, music by Tashi Wada.
Whether (2018) 3 minutes, cyanotype on 16mm, color, music by Julia Holter.
Words I Heard (2018) 6.5 minutes, Super 8, color & b/w, music by Julia Holter.
Mutable Signs (2018) 3.5 minutes, 16mm and Super 8 on video, color & b/w, music by Tashi Wada.
I Shall Love 2 (2018) 5.5 minutes, 16mm and Super 8 on video, color & b/w, music by Julia Holter.
In praise of shadows (2017) approx. 60 minutes, 35mm slides, percussion, synthesizers, sirens, bagpipes. collaboration with Corey Fogel and Tashi Wada.
Once, maybe twice; or The clockwork of summer (2017) 3.5 minutes, Super 8, b/w, silent.
Concert Diary (what’s a life?) (2017) variable duration, variable format, color & b/w, sound, installation or projection.
But, does she like it? (2017) 3 minutes, video, color, sound.
Different exits (2017) 45 seconds, Super 8, b/w, silent. collaboration with Ahram Park.
Ignite the seven cannons (sic) (2016) 50 minutes, seven cassette tapes, light bulb.
Suicide Notes (2016) 7.5 minutes, Super 8, b/w, silent.
Pictures at an Exhibition (draft) (2015) 3.5 minutes, performance for handheld Super 8 projector, b/w, silent.
Silhouette (2015) 4 minutes, 16mm to HD, color & b/w, music by Julia Holter.
Glass, plastic, silverware (2015) 45 minutes, two cassette tapes. performed by Zach Iannazzi & Patrick Londen.
Paper, metal, keys (2015) 45 minutes, four cassette tapes. performed by Rick Bahto, Julia Holter, and Tashi Wada.
Twelve Bagatelles for Janis Crystal Lipzin (2015) 5.5 minutes, Super 8 on video, color and b/w, silent. commissioned by The Huntington.
Exudates (2014) 7 minutes, cassette tapes.
The Sound We See: Echo Park (2014) 30 minutes, 16mm, live music. one-minute section made with Chloe Reyes, Pablo Valencia, and Pedro Verdin as part of omnibus film.
Hardy films (no fear of the shadows)—Part IV: And earth, and air, and rain (2013) 7 minutes, 8mm, color, silent.
Compositions No. 1 (2012-13) 12 minutes, 16mm, color, silent.
Maxim’s 1 (2013) 6 1/2 minutes, Super 8, b/w, music by Julia Holter.
Finale (2013) 8 minutes, Super 8, b/w, music by Julia Holter.
World (2013) 5 minutes, Super 8, color & b/w, music by Julia Holter.
Compositions No. 2 (2012) 12 minutes, 16mm, color, silent.
Secretion (2012) 12 minutes, cassette tape.
Hardy films (no fear of the shadows)—Part 1: Hell   here (2012) 4 minutes, 8mm, color, silent.
Accretions (2012) variable duration, 35 mm slides, color and b/w, silent.
Monument Valley (2012) 6.5 minutes, Super 8, b/w, silent.
Casual Encounters (2012) 19.5 minutes, Super 8, b/w, sound on cassette tape by Casey Anderson.
Donuts of Los Angeles (2010–12) 35mm slides
Marienbad (2011) 6 minutes, two regular 8 projectors, 35 mm slides, b/w, music by Julia Holter.
For Paul Clipson (2011) three versions: 1: 12 minutes, super 8, color, silent. 2: notebook of 35mm film. 3: score, for one performer.
Between Here and There (2011) variable duration, 35mm slides, cassette tapes.
Documents (2011) variable duration, any gauge reversal film, sound.
Cave Creek. Winter canon. 2011. (2011) 14 minutes, super 8, b/w, silent, triple projection. commissioned by Monday Evening Concerts.
You’re Already Dead for Lauren Sorensen (2011) variable duration, any gauge motion picture film, one or more readers, a pair of scissors.
Bouquet for Casey Anderson (2011) for one or more performers.
Still Lifes (2010) 30 Kodachrome slides
Sparse Gardens (2010) 60 minutes, 35mm slides, cassette tape.
Some Places (2010) variable duration, Super 8, color, cassette tapes.
Performing Marmarth (2010) 3 minutes, Super 8, b/w, silent.
For Pablo Valencia (2010) 20 seconds, super 8, b&w, silent
Lebensraum (2010) 9 minutes, super 8, b&w, silent
Conversation (2010) 283 minutes. Parts—One: 43 minutes; Two: 46 minutes; Three A: 43 minutes; Three B: 41 minutes; Four: 54 minutes; Five: 56 minutes; audio cassette
For Karen Johannesen (2010) approx. 4 minutes, super 8, color, silent, double projection
Reliquary (2010) 7 minutes, collaboration with Luciano Chessa. Live performance for Vietnamese dan bau incorporating super 8 film Tristan Fragment (2006).
For Bill Jenkins (2010–ongoing) series, each realization: 3 minutes, super 8, color or b/w, silent
Still Life for Charles Boone (2010) 17 minutes, super 8, b&w, silent
Study No. 3 (Phoenix) (2009) 6.5 minutes, super 8, color, silent
Study No. 2 (Chicago) (2009) 1.5 minutes, super 8, color, silent, double projection
Study No. 1 (Buenos Aires) (2009) 3 minutes, super 8, color, silent
Movements (2009) performance ~ 15 minutes, un-slit regular 8, color & b&w. Collaboration with composer Luciano Chessa, Vietnamese dan bau
Improvisation with pool (2008) 3 minutes, super 8, color, silent
The Bellouin Sequence (2008) 5 minutes, un-slit regular 8, color, silent. Alternate version with live Vietnamese dan bau performance by Luciano Chessa approx. 10 minutes.
Tristan Fragment (2006) 3 minutes, super 8, b&w, silent
Passeggiata (2004) 7 minutes, super 8, b&w, silent, double projection
Variations (2004) 5.5 minutes, super 8, b&w, silent
Piece for three projectors (Ritual) (2003) variable duration performance, un-slit regular 8, b&w, silent, three projectors, three projectionists & a conductor
Piece for two projectors (Two-part Invention) (2003) variable duration installation, un-slit regular 8, b&w, silent, two projectors
Piece for three projectors (Bel Canto) (2002) variable duration installation, un-slit regular 8, b&w, silent, three projectors
Oakland (1999) 3 minutes, super 8, b&w, silent
The Soft Things (1999) 3 min, super 8, b&w, silent